I’m probably going to get into all kinds of copyright trouble fer this one, but I’m hoping that if Word magazine does somehow see it, they’ll take it as I intend it to be – a tribute to a point well made.

The thing is, radio, once upon a time, used to be about money, and some record company getting their latest records on the air by any means, fair or foul. Then, Alan Freed became the scapegoat for the whole shebang and payola was banned. Yeah, right. Does anyone really believe payola doesn’t exist these days? Just listen to any commercial radio station these days and you’ll hear the same crap over and over and over again. Just to really rub it in, you can even play a radio version of buzzword bingo by keeping an ear out for certain tracks; “Ok, that’s Sugababes’ ‘About You Now’ – hmm… must be nearly three o’clock.”
Seriously, it’s that predictable.
The main problem is that larger corporations have swallowed smaller stations and companies whole – not because they think they would be a decent acquisition to their portfolio – no, they just buy them out to eliminate the competition. I have a few contacts in a couple of stations and none of them have a good word to say about the likes of Heart FM and other such money monsters. One even went so far as to say “Heart – the company that killed local radio.”
Perhaps the most appalling aspect of the current radio situation is not to do with the DJs themselves. Rather, it’s the fact that they are being sidelined by advanced technology. Entire shows can be programmed in advance. Music is culled from a database (not a large one, I would say…), and pretty much all the DJ needs to do is arrange the sequencing, slip in the required ads and whack in a spoken link or two.
If a show is due to go out in the middle of the night, this means you can still get a good night’s sleep.
Is it me, or is that wrong?
Actually, I was wrong. The most appalling part of radio programming these days is the playlist. These days, it’s not even laid out and hand-picked by a human; no, instead, there are complex computer programmes that take into account various factors and then throw up a list of likely tunes that the station/company controllers announce are viable to play. And don’t you dare stray from this format.
So, then, where is the DJ in all of this? He’s nothing but a cog in the machine, reduced to a factory line worker, stamping out parts for the next big machine.
I don’t know about John Peel, but I’m fucking depressed.
By the way, there’s an online copy of this month’s Word up for people to read. I have no idea how international it is, but if you can’t read the article starting on page 74, then PLEASE let me know and I’ll scan and post it somewhere you can read it.